Thursday, May 23, 2013

Societal Anxieties and the Zombie Apocalypse


The film Night of the Living Dead (1968) by George A. Romero played on the American cultural anxieties at the time. These included, among others, fear of Communism, fear of desegregation, and a fear of the “other” in general. Zombies, by definition, used to be human so they were among regular humans but after infection pose a grave danger. One of the fears with zombies is that they are among us, but we don’t know who will be infected next.

In Isaac Marion’s Warm Bodies the setting is much more modern and America has moved on to its fear of extremist ideologies and the War on Terror. Just as before, threats could be among us and we will never know who they are until it is too late. But, I think that is just the connection to modern society. I think what Marion is trying to get across is that humans even before the zombie apocalypse were “dead” in the sense that they were not satisfied with life and were just going through the motions. R even laments his death because his life as a zombie is so boring and that he remembers his past life as filled with goals and aspirations. He makes the apt comment that applies not just to him, but life before the infection: “Being dead is easy” (9). Eventually R does change his life and becomes something else other than just zombie, but perhaps not quite “human” as we think of it now. But the idea that R brings up is important because he contrasts the way life carries out now where the status quo is reinforced at every turn and trying to deviate from the setting of modern life is frowned upon. Society’s fear of becoming too barbaric leading to the end of the civilization has, perhaps, ended everyone’s lives anyways by being too robotic.  Marion’s ending appears to touch on this idea by implying that change is the only constant and that oftentimes it is jarring to society in its uncertainty or messiness. However, people can change as well if they want to and our unwillingness to venture into the unknown is killing us just as much as what we cannot see. 

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